Bacon philadelphia in the year 2009

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Menu labeling has proven popular and useful in the jurisdictions that have implemented it, according to CSPI. In a survey of New Yorkers , 82 percent of respondents said that seeing the numbers affected their choices. Though the industry tried to challenge New York's menu labeling law in court, it lost, and its prospects for challenging other laws may become dimmer still: One of the federal appellate judges that let the New York law stand is Judge Sonia Sotomayor, President Obama's nominee for a seat on the Supreme Court.

View the discussion thread. I thought the only way to deliver this idea of people medically committing suicide and bringing each other back was to approach it with hyper-realism. His take was to make it as gothic and fantastic as possible. But whatever he did worked. They sent me the script and I loved it. No other actors were really responding to it.

I saw the movie as this fantastic, subtle comedy. It was endless re-shoots; I re-shot more in that film than I have in anything else-over a year. In one scene-because of all the re-shooting at all the different locations all over the world-I get hit over the head with a rock and fall off this cliff in Northern California, it cuts to a shot of me in midair in Canada, and when I land I'm in New Zealand.

I swear. I went for this goofy audition for this movie, and then I forgot all about it. I'm living in this two-room shit-hole with another guy in a welfare hotel at 85th and Broadway. Then, months later, they called me up and said they wanted me to do some movie for scale.

Honestly, I not only didn't know how much scale was, I didn't know what the fuck it was. Man, when I found that out it was incredible!

But they needed me out there the day after tomorrow. I had to get on a plane the next day. So I was flown first class to San Francisco, stayed in a hotel overnight Man, I was in seventh fucking heaven.

I'd been on a couple of flights before, but I'd never flown first class. I couldn't believe you didn't have to pay for a beer in first class, couldn't believe it. I take out my script and start reading it, hoping the stewardesses will notice. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of. And - fitting into the strange irony of my life - it's the thing that probably the least number of people have seen!

Some things I audition for. But there's no formula. I've had 15 auditions for, like, a nothing film by some guy who hasn't done anything-then again, Oliver Stone and Rob Reiner will say, 'You like it? It's yours. I think it got the short end of the stick.

It was very painful for me that it got such a critical bashing. Nobody went to see it. I mean, these things come along where somebody says it'll take a couple of weeks and I go for it. The big draw for me was meeting Levon Helm. I'm tired of doing things that only one person will tell me they've seen. If I want that, I'll do a play. I've done my turn in the independent market. After I was a big movie star, I went back to independent films because I really believe in them. But I'm fucking sick of it.

I want big, mainstream movies. Quality, yes, but big, mainstream movies that people are gonna see. Actors are by nature vain people. Aside from looking good, vanity is about wanting to be watched, wanting to be seen. Actors who deny that are totally full of it. I think that's really fundamentally what drives them into being actors. Now, that said, in my own work I'm not afraid to be ugly. I only want to look good if I think it's part of who the character is, or part of the story we want to tell.

In The River Wild , for instance, my character's not a nice guy, but he should look good. Because you have to sort of be seeing him through the Meryl Streep character's eyes. He's a prick, but he should look good, because you had to know what drew Meryl to him.

In Sleepers, no, the guy did not need to look good. And Barry Levinson made sure that the camera angles were unflattering. I've gotten to the point where I'll go up to the guy and I'll say, 'Here's 20 bucks, please don't play that song. I think the songs are great.

When I was a kid, my heroes weren't actors. I never went to the movies, or hardly ever, and if I did it would be maybe something where I could catch a glimpse of titties or a horror movie. To this day, if I meet an actor, it's really not that big a deal for me.

But if I met Wilson Pickett. I'd shit in my pants. But, believe me, I'm not gonna give up my day job. There's a difference between saying that and saying. But when a director says, 'I want to see what it is that you're going to bring to the table,' that's the best possible work environment.

Barry creates an environment that makes you want to explore. When I took Sleepers, I thought to myself, this is going to be a really heavy, horrible experience, because I gotta do all this bad stuff to little boys.

It's the story of four friends from Hell's Kitchen who get sent to a juvenile home, and I play the guy who tortures and abuses them. He's the head baddie. A sadist, a pedophile, an extremely bad person I kind of pride myself on trying to discover some kind of humanity in the darkest of characters, and I think usually I'm pretty successful.

I don't know if I was in this case. I mean, I didn't play him with drool coming down his chin; I tried to play him real, but he's pretty dark. The funny part was that I thought I'd have to stay away from the kids between takes, to stay in character and not relate to them in a very human way. That's not the way it turned out at all. It was one of the best times I ever had making a movie. It was a gas to be with these kids.

We'd sit around and carry on, tell jokes and stories, and then the camera would roll and-boom! Very strange. I ran into Stanley Tucci on the street the other day. We're standing on the corner of Broadway and 60th Street, just catching up with each other, and someone walks by and they go, "Hey Stanley, I liked your work on Murder One Historic Sites. Events and People. Snapshots of History. Behind the Scenes. Urban Planning.